The British series are popular
Market International TV programs, MIPTV, to be held in Cannes from April 1 to 4, the British series should create the event. Call the Midwife, produced by the BBC, had the best audience of the channel for ten years. And professionals are eagerly awaiting the arrival of two series Titanic, one produced by ITV and the other by the BBC. This success confirms the vitality of English production began last year by Downton Abbey.
Turkish productions are also a remarkable breakthrough in the export and seduce with themes often néoromantiques like Ask or Ceza ve Mugnificent Century, a series high in costumes inspired by the Borgias of Canal + and already sold in forty countries. The study Hotspot, concocted by Eurodata TV Worldwide is a partner with Médiamétrie, the top 10 best programs in the hearing world still dominated by fiction (41%), entertainment programs (38%) and information ( 21%).
Talent Search, the first vector of the reality show
But the big difference with previous years is that it is now the local fictions far outweigh American series. "Contrary to years like 2007 where the total number of hits was the fact of American productions, they have virtually disappeared from the charts," says Amandine Cassi, academic director of Eurodata TV Worldwide. Entertainment side, it is always the formats used to seek talent that hold the upper hand and are the major contributor to the international reality. There are trademarks ancient as the "Eurovision", but also the concepts be they British "Got Talent" (Fremantle), "Idols" (Fremantle), "Strictly Come Dancing" (BBC Worldwide) "XFactor" (Fremantle) or "Masterchef" (Shine) payday loans with no fax. "The Voice", produced by Talpa – the incubator of John De Mol – which is still in its infancy, is already among the top global audiences. In 2011, promising competitors to giants Endemol and Fremantle have appeared on the market including Shine, the production company of Elisabeth Murdoch, or A2G Creations, a small French production company that blew counters hearings in China its format Beauty Academy. "This success explains Amandine Cassi, is due to the ease of exporting and to adapt these artistic formats that appeal to everyone. These formats also compensate in some manner, the information that arouses enthusiasm on television. "The information, provided the programs live elsewhere, as the two best audiences worldwide last year were the evening of Chinese New Year, with 203 million viewers in China, and that the Superbowl, the United States, brought together more than 111 million viewers.
In France, this strong trend has not failed. Indeed, in 2011, the list was dominated by the final of the Rugby World Cup (15.4 million viewers), while the interview with Dominique Strauss-Kahn at 8:00 p.m. at TF1, September 18, 2011 , made with 12.5 million viewers, on par with "Bal Enfoirés", broadcast, exactly a week ago. A great show that, once again, confirms that television remains the medium of the event.
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